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The kings of the milonga

More and more places to dance the tango, and they send the DJ 's , which have become international figures

Friday October 8, 2010 Published in print edition of The Nation of Argentina

Horacio Godoy is proud of his local, The Chip: is one of the most popular milongas of Buenos Aires. See more photos

By Marina Gambier
THE NATION

little less than 15 years, Felix Picherna, who then put music to the more traditional Milonga Villa Urquiza, took the microphone and , as was his custom, gave a brief introduction to advertise the penalty remaining areas. He liked to play the role of master of ceremonies. His debut in 1958 in the North Wind Club, and nearly 60 years, and was considered the dean of the disc-jockeys tango. However, living with just a little room released by the club. "Ladies and gentlemen, is present on the runway at Sunderland Club maestro Carlos Di Sarli Cayetano," he said, assuming that all present knew the famous composer and conductor, died in 1960. But the milonga was not the same as decades ago: that night, in the audience were young. A customer who has attended a beginner dancer, looking around the audience, asked: "Where, where, che? Di Sarli What?".

The story illustrates a phenomenon that dawned in the early 90's and would take a global dimension in the years later: the children began to be interested in the music of their parents, and Picherna, almost unwittingly, opened with his style a stellar way to develop a craft that had previously gone unnoticed and recently reached a relevant unsuspected 2x4 scene. In addition to the convening power of the organizer, the quality of the floor and the bar service, the musicalizador became a cornerstone in the milonga gear. From his cabin, either the computer or with the discs, is responsible for lighting the fire of the track. In other words, should make people get out of his chair and dancing, for that, not for anything else, paid the entrance. Growth its within the circuit of the tango is a direct result of fanaticism rekindled in the dance world since the show rioplatense Argentine Tango was enshrined in the City Center to Broadway, New York, in 1986.

"There were about 15 dancers in years, and sometimes in kilos, dancing and decadent that old favorite, the tango. Four singers crying out their sentences in English and an orchestra full of bandoneon. The women came dressed in black men slicked. In the heat of the show, there were dancers around the world, "he said in an interview with La Nacion Claudio Segovia choreographer, creator of that show, involving, among others, Juan Carlos Copes, Maria Nieves, Milena Plebs and Miguel Angel Zotto, the elite of the environment.

Video: dj's of tango, milonga soul of

That success triggered a boom that lasts until today and that some have called the third globalization tango after tango sung by Gardel in the 20's, and music of Astor Piazzolla, the 60's. In Buenos Aires became more frequent the salons. The devotion of a new generation of Argentines joined the wave of foreigners who crossed the ocean (and still crossing it, aided by the devaluation of local currency) to learn the art of dance and codes, which remain the same as the beginning of time [see box]. What no one, not even the main characters, imagined is that the resurrection, which seemed so unlikely, it would create a source of work for old tango tango dancers who sustained when, in the 60's, they gave up for dead.

Those who saw the vein of the business is recycled and are now professionals in the legion of teachers through Europe, Asia and America, teaching and participating in festivals. And they even have Twitter accounts and profiles Facebook, the journal of international voyages. In the "tangósfera" room for everyone. The most traveled ensure that there are about a thousand milongas in different corners of the globe. According to the site milmilongas.com , in Berlin alone there are 35, eight in Brussels, four in Taipei and 25 in Rome, several of them scored by Picherna eternal. For 12 years he plies his trade in Italy, where he is a celebrity that has inspired books and documentary films. On weekends, take the train from Rome and visits the cities nearby with his small suitcase full of cassettes, because he did not convince the XXI century technology. Seconds before starting shoot, have, he looks rewinding tapes with a pencil.

"Thanks to him the tango DJ the way we did. Nobody invited to Europe if not for all that he went before," says Damian Boggio, to music one of the first century. This interview was done via Facebook because, as every year since 2004, Boggs spent three months on tour in Switzerland, Russia, Britain, Germany, Korea, Japan, Taiwan, Holland, Turkey and Italy. "When I started in 1999, was the youngest. I am part of a generation that came to tango after rock, college, after I learned so many things ... advice of the old dancers, who were teaching me about orchestras and rhythms. After falling one by one, danced the tango became a global fashion and also a source of work. First came professors and teachers of dance, and then, of course, appeared DJs tango, "says Boggio.

Cambalache century still sounds snobbish to use the English expression d-jay to refer to pasadiscos , that operator responsible anonymous originally to support the needle on the vinyl track. The first recordings appeared on the market were pulp and used almost exclusively in family meetings because public dances are organized around the big bands that emerged during the golden age of the genre from the 40's to mid 50's. Saturday had fifteen top-level groups playing in a club of the Federal Capital. The crowd danced all night to the sound of that one band, which made two or three innings of twenty minutes. The musicians were idols, especially the singers. Sometimes nobody was dancing, so looking at them. "For example, during the carnival Hurricane hired Troilo, Independent, Di Sarli, and so on. It was a party. The whole city had begun to dance. That lasted until 1955, when there were two wounds fatal to the genre: rock and the Liberating Revolution, he had taken from the street to the common people, "says Osvaldo Natucci, of renowned DJ. Debuted at age 17 in Florida Defenders Club, where the 6 had first heard the orchestra of Anibal Troilo. Today he works in Italy half the year, playing music and giving lectures on the history of tango at the University of Bologna.

From the turbulent decade of the 60, orchestras were dissolved. As it was very expensive to hire, clubs and salons began to resort to recording. Inland, where the orchestra never arrived, and used that support. In general, the task was left to a club employee or an amateur partner. "I do not know how they would work, if you have two trays or just one, but the truth is that the club used its own records and announcing the program on a blackboard," says Gabriel Soria, vice president of the National Academy of Tango -. They placed, for example: 'This night, dance with Osvaldo Pugliese. "That was a little misleading, because Pugliese was not in person. Others clarified, but at the bottom:' Tonight we dance with Juan D'Arienzo '. And below is read 'With selected recordings. "I have several copies of pulp and vinyl seal Club Atlanta, among others."

The arrival of the long play started a revolution and eventually gave rise to the batch, a concept that until now did not exist. Once would have been impossible to integrate the production of all the bands in one night. Material is first passed one group, but changing the code according to the times of their recordings, until finally there emerged a single standard or routine, which generally consists of alternating sequences of four tangos, milongas three waltzes and three, separated by brief curtains of other musical genres, including jazz, bossa nova , boogie-woggie , rock nacional, pop and sometimes cumbias.

To make selections

attractive, the DJ must know a lot of tango. They are about two thousand more dance songs are heard and musicalizador must baste a logical way. That background sets him apart from his colleague, DJ electronic music, in addition to better charge fees, has a homogeneous repertoire is renewed constantly. Plazaola Lucia, who learned the craft from Natucci, believes that the demand is greater when it comes to playing music in Buenos Aires. After high school, made his debut as a waitress at the milonga Kiss. The day I resigned DJ the place, she was ready to meet the job. He was 21. With 26 completed, and goes for his third tour of Europe. "From the outside it looks like a silly thing, to press buttons and you're done. But no, you have to be attentive to many things," he says, while notes in a notebook the tentative schedule night. From your cabin, on the mezzanine of the premises, watching the panorama of the track, which will mutate with the times, depending on unpredictable factors: whether there are tourists, if you earned Racing and Boca lost, missing too many men and women, if it rains or hot weather. "In addition to learning rhythms, is important to distinguish the arrangements, which vary widely among different periods in each band. We know that it sounds like one from 1955 that another 1935. I'm still very traditional in my tastes. Kiss is now younger people but not so I will break the mark of the place. It would be a betrayal and I'm not make me mad, "she says. Clarifies that" madness "would be to introduce electronic tango, for example. That goes against their ideology.

What put it, boy?

An evening can be unforgettable and a perfect failure. The public is a democratic mix of doctors, taxi driver, clerks, beauticians, judges, businessmen, lawyers, writers, doctors, actresses, biologists, sheet metal workers, house painters, students and seniors, who attend with the intention of practice dance. Some people appreciate the music unconsciously. For others it is a key element. The milongueroscon many years of distinguished track, hearing the first round tango, what topics will follow. If the selection is poor, probably complain quietly or face the charge bluntly: the DJ is always in sight.

Horacio "joss stick" Godoy admit that more than once had to endure long faces. With its 38 years of age and 20 professional, strives for in their own milonga, The Chip, there is no even the slightest error. "In Buenos Aires today should be 20 good DJ tango, but not all resist A questionnaire on music, "he says, fresh from Germany. Most respects the years, times, and the singers. Pecan and too accurate. It is true that you can not innovate too much, unless you know the nearly one hundred thousand tangos recorded there, but you need to understand your audience. I already think I have the ability to understand the power of the track and some commercial sensitivity: I know there are many tango dancers who are not going to like a certain band, then, do not pass. "

In the 70's were no more than ten milongas in Buenos Aires. Today, according to the schedule published journals of the circuit, operating at least hundred. Saturday may have up to 29 rooms open. And there is something for everyone: traditional (where it should be elegant sport), other informal, but for the elderly, and others to practice the very young, in jeans and sneakers. In a few virtuoso dancers predominate. There is also a gay milonga, but not necessarily have to be gay to gain entry. In well-organized spaces, the has a DJ booth balconea on the track, when not sitting at a table. Having passed the stage

CD and Mp3, most DJs have a respectable collection of tangos stored on their computers, which sometimes allows them to do a little "trap": the playlist , ie programmed sequences of songs for that to happen by themselves. Usually they do not and are pending weather of the track. In a veiled spend about 120 items, which should satisfy the tastes of dancers of different skill. Is to learn the art of dance takes at least ten years and only then a person is able to enjoy the music over the choreography learned, as many agree.

For Ramiro Gigliotti, professional dancer and author of Poison tango, a collection of humorous stories and anecdotes from the environment of Buenos Aires, every time he takes to the track, the dancer makes a deal with DJ . "For some milongueros, is a life or death dilemma: there are orchestras with which they can not stop dancing and others that never lifted chairs. Then, it establishes a kind of tacit agreement with the DJ . When he mixes in the same batch different trends, breaks the covenant. It is with instrumental tangos, although it is more clear with sung. For example, if the first of the batch has a letter referring to the love, the second is about racing horses and the third progress ruins everything, is not a happy combination. "

Back when there were bands in the milongas live and the audience wanted to hear a particular issue, writing the title on a piece of paper and the waiter brought him closer to the musicians. Save the formalities today. "Boy, do you have such a recording?". It is assumed that a DJ awake knows what the top ten tango. These are issues that no one asks because the audience assumes that there will be plenty.

"At first it was widely criticized," he admits Silvia Ceriani, DJ of the Cathedral, on Thursday, and Salon Canning, on Monday. For some people dancing long ago and know nothing of orchestras. They like a single, not get them out of there. But they can never miss you all four parents of tango: Osvaldo Pugliese Carlos Di Sarli, Anibal Troilo and Juan D'Arienzo. If not you spend, something missing in your milonga. Today, the computer allows the playlist , but people get bored, one depends on the mood of the track, "adds Ceriani.

in that is coincidence. With two decades of occupation and an estimated collection of 20,000 recordings, Mario Orlando, which is responsible for the most prestigious areas of the circuit, find the best pieces ensuring that each retains its identity. At Marshall, the gay milonga, puts issues with suggestive lyrics to please the audience, and never Sunderland tangos gets rough, because there dancing with long steps and a kind of embrace. In April this year he traveled to Stockholm to Rio de Janeiro and was invited to participate in a festival in Dubai. "Every place has its own personality. So I put different music in each. You have to be always present. If I fall asleep or get bored, it shows immediately, click the track. And the track is the result of the night . Opening the game

In Argentina, a tango DJ earns between 100 and 300 pesos per night. Outside the dividends are juicier. The inviting, overall organizer of a milonga or a festival, bears the cost: a minimum fee of 150 euros per night, ticket and stay full. And out of the country walks DJ the red carpet, because his figure is highly valued, especially if Buenos Aires.

emerged in recent years serious competitors in Europe and the United States, as Tommaso Fiorilli, an Italian famous for making daring mixtures that do not always sound bad. That's another advantage with a featuring local DJ when working abroad, there is less pressure. The public is more receptive to new proposals. E are encouraged to tango, so resisted in the milongas of Buenos Aires, or dance with other media such as vinyl records, the latest trend worldwide. "Here it is very difficult leave everyone happy. They have a structure very orthodox, struggle to change. But listen out everything you can play-hold you Gustavo Rosas, DJ graduate of the Escuela Argentina de Oscar Calderon. At a festival in Catania, Sicily, and in Brussels, I went tango electronic, pure male, and it worked. Many teachers complain, but people that enters the electronics is an attentive ear and then begin to ask Canaro, romantics, Fresedo. That sum, will purify the taste, accelerating the move of tango, which is awesome. "

Rosas has a collection of 13,000 vinyl records. Once he traveled with 80 of them on hand for fear of dispatch in the aircraft hold. They are their treasure. "Since 2005, again used the LP. Good DJ agree that it is the best support, the quality of sound. Whatever the format, the sound must reach the public with the best quality. It also lets you work in real time, manage the effects, "he says, a few hours of starting a tour ending the Tango Festival in Belgrade, Serbia.

In any case, hardly a tango DJ dares to make a major revolution. It takes a rebellious spirit to change the paradigms of a genre filled with nostalgia and predominating idea that nobody can overcome the sensitivity of the musicians in the first half of the twentieth century. However, the brave are emerging.

"El Polaco Goyeneche Troilo took me and other composers. I got a lot to tango song, listening to Frank Fiorentino, Floreal Ruiz. I drew from the poetic point of view, because I felt reflected. As the rock, talk similar things, "says Gabriel Plaza, journalist and music critic of this newspaper and DJ since 2005. "What interests me about the profession is to have a more artistic, make a character he plays, looking beyond the musicalization, trying to make it a creative act. So I can say that my reference is Picherna, which had and has this attitude toward work. He himself is a fantastic aesthetic, "says DJ Inca, the artistic pseudonym Plaza. He made his debut at a festival in Rome and then continued in Paris, Hong Kong and New York, scoring festivals that had the pleasure to include bands alternatives, for example, La Chicana. At present, along with DJ Dujov Simcha (Balkan music producer), experience live remixing electronic tango recordings of the 40 orchestras. Suman Eastern European rhythms and sampled voices of Gardel: a risky bet, but can make history. After all, the public is ever new. "Since I have no prejudices of those already in the environment, I would like to break rules and set their own, without losing sight of the feel of the track. While we are in terms of the dancer, I also I have to entertain. So I think that is a part of this whole ritual that is very good, but the rituals must be renewed, aggiornamiento . Finally, we are of another generation, "he explains.

Some addresses

The Chip
Armenia 1366, Palermo Soho
www.laviruta.com.ar

Club Sin Rumbo José Pascual Tamborini
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The Marshall Maipú 444

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Club Villa Malcolm Av Córdoba 5064, Palermo

Joyful Thursday in the Cathedral, Sarmiento 4006, Almagro
www.lacatedralclub.com

Salón Canning Sacalabrini Ortiz 1331, Palermo
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Christmas Festival and Tango Dance World Cup 2010

Tango 2010: An event

balance growing inside and outside the country

visited the festival, some 100,000 foreigners:

The Festival and Tango Dance World continue to grow in number of artists and audiences. According to official data, about 350,000 people attended the Festival and the World Cup in the last two weeks, according to city government figures. For the festival's program passed 550 artists, performing hundreds fifty shows (of which thirteen were productions of the festival). While in the dance world championship Salon Tango and Stage Tango involving 460 couples from 21 countries.
A survey by the Tourism Entity City estimates that this year 100,000 foreigners visited the city by the Festival de Tango. 29.4% came to the city did time motivated by the tango, while in 2008 it was 19% foreigners. It is estimated that these hundred thousand visitors left an impact than a hundred million dollars in spending in the city, confirming that which "Tango Buenos Aires is like soy."

The festival has grown in visibility outside the country, local audiences, and this year was even new areas away by generations of tango. What is needed is some way the need to grow certain structures of the festival: spaces as the main headquarters were too small and uncomfortable and crowded milongas siguenextrañando those in the Obelisk.

In artistic terms, the issue that went left some postcards to remember as the night of homage to Horacio Salgán , emotion Tango Championship final air stage, the presence of an international artist like Ruben Blades singing "Pedro Navaja" versioning to tango, "tribes" young people who took a clean sweep on the night of the Tangos ricotero and tribute to a great danceable as Osvaldo Zotto (who died earlier this year) and the recognition of the great Maria Nieves, couples for many years Juan Carlos Copes .

best. The productions created especially for the festival provide novelty, experimentation and risk necessary to show the different facets of the current scene of the tango. Another achievement was to give more space to dance and choreographic development.

worst. The allocation system of tickets remains an issue to be resolved. Many rooms listed with a high percentage of empty seats because the participants choose not to go at the last minute. El Punto de Encuentro, despite being an art deco building restored for the city, offered very little capacity.

Rescue. Just as the festival opens its space for new productions, also keeps parallel the historical profile. This year there was talk Salgán style (also don Horacio sat at the piano on stage at the theater May 25) and rescues were also lectures and concerts by artists such as Eduardo Rovira .

Eastern. The presence of musicians and dancers from Japan is growing exponentially. This year some dancers stood out in dance championships. The orchestra also wore Aurora. While the East, but the Rio de la Plata also kept coming. This year it created an orchestra between Argentine and Uruguayan musicians led by Andrés Linetzky , with repertoire from both sides. Another high was the concert Luciano Supervielle Bajofondo.

Tango today. The new generation occupied a central space in major conferences, which speaks of the maturity of the artists of today, as the case of Chinese Laborde and Dipi Kvitko , who directs the orchestra Rascasuelos Patricio Bonfiglio, the typical presentation Ardit Ariel, the appearance of revelations Cucuza Castiello and Marisa Vasquez, electronic and orchestral Otros Aires, and the duo of Tute and Jessica with new tangos. The future is assured.

is said. Perhaps because of the freezing cold this winter, he turned to talk of having a festival climatically more benevolent in months and recovering the large milongas around the Obelisk. In fact, the great public demand this year in a number of milongas closed meeting point had to be cut Bartolomé Mitre street and get speakers and screen to the streets to dance on the asphalt.

crossings. This year the surprise came from the side of the crossings. Luis Borda with Rodolfo Garcia and Emilio del Guercio Almond, Rubén Blades singing with the orchestra of Leopoldo Federico emblematic songs tailored to tangos and milongas, and the tribute Tangos ricotero the typical City youth orchestra to Baigón the songs of the Round, which attracted an audience that had never been closer to the festival and created a buzz interesting in other sectors of the public and the press.

The wake up call. During his performance, Chino Laborde showed his punk attitude despite singing traditional tangos and requested the Secretary of Culture Hernán Lombardi to re-institute the festival of tango during the summer. Then he spent as a reminder of the tango "When I enter to fail."

The milongas. Milongas cycle scheduled during the week of World popular heat served to put to the Meeting Point and brought together the best typical of the genre as the new Ojos de Tango and the traditional Color Tango Orchestra.

World Champions. Salon Tango winners were Sebastian Ariel Jiménez and María Inés Bogado of Buenos Aires. In Stage Tango picked up the title and Chizuko Diego Ortega Kuwamoto Columbus and Tokyo, respectively.

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"Meet the 7 benefits you get to wear special shoes for salsa, tango and ballroom dancing"

"TODOPARATUBAILE" "Meet the 7 benefits you get to wear special shoes for salsa , tango and ballroom dancing " 1-You can dance long hours without getting hurt feet 2 - You can feel comfortable or to walk on and make his footsteps, to achieve a better balance which will give greater security 3 - shall protect your feet from chafing, using a lighter shoe and flexible that lets you dance all night 4 - Women can choose from: a high heels, thin and elegant, medium and insurance or in special cases, too low for total comfort. 5 - You can wear a shoe or sandal colorful and elegant dance within our range 6 - You will receive your dance shoe the next day of receiving your purchase in the peninsula of Spain and in four days to the islands or anywhere the world (only shoes in stock) 7 - You have the choice of models of excellent quality from a very low price Characteristics of a good dance shoe : The insole is specially designed for dance shoes which enables you to rest your feet, even while you're dancing. Must be flexible and lightweight , the latter being one of the main benefits available to us when using our models. You will notice that the subject be adequate loosely your feet The soles are also split special (special to turn and no slip). But that's not all, women no longer have to worry about the difficult task of putting the shoe buckle, because it uses a special design that makes it extremely easy to put it to avoid having to spend every time you put it, the strip through the buckle. View demonstration video (click below) in 98% of cases the size of our shoes is the same as the one you use regularly. recommend further clarification to send your purchase order to the extent of your foot: the length and width. If not you change it to the right size. Video and buckle your sandals:

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Plant Zuela or chrome plant to a dance shoe?
plant or plant Zuela chrome for a dance shoe?
is very important for a dancer a dance shoe and the contact with the ground is the most important. Sole

will call
Sole to the leather and used in hard shoes. Properties

Keeping your ability to drag forever and is an ideal complement to a block of rubber. is durable.
is used for formal footwear to walk
When the soil is moist grabs best way to increase the friction force.
In many cities there are shoemakers who make dancing shoes, but walking soled shoes to dance
Disadvantages:
not flexible, being a hard leather lacks flexibility and does not allow mobility and weight control in the foot, something that is so important for a dancer . As hard
leather, distributes the weight across the sole of the foot and friction where the step is constant and the way they walked. Weight
, the sole makes the shoes are heavier.

Lamé-Chrome or Suede
finest leather is a commonly used worldwide in dance shoes in many cities is not uncommon for shoemakers use chrome for its products as it is an ideal material for soils developed , but little durability for concrete floors or porous natural surfaces. Properties

Flexibility high flexibility, is a soft leather which allows total flexibility in use. Slip
appropriate, allows total control of landslides since the very foot drive weight, if you put more weight to the point of the shoe slip grips, if you put less weight than the shoe slip point slides smoothly. Weight Management
allows projecting the weight of the body in the area that is required at the sole. Ideal for handling money.
The wear is consistent with the dancer's feet, chrome lame conforms much more to the way the dancer step by having the appropriate friction for each of the foot area as the most common movements of the dancer. Disadvantages

More delicate porous and uneven floor,
Due to being thinner material requires great care in making shoes
No shoemakers exist in many cities that have the technique for using the material because it is mostly used in dance and not walking shoes. Although some manufacturers deliver
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TANGO ARGENTINO. Class 4 - Verónica Massini: demonstration of cross (eight) before, practice with an @ companion. Sunday classes 18.45hy practice until 21 in the Rotunda of Tres Cantos, Madrid. Veronica wears sandals and dance tango or salsa, made of leopard skin and fantasy.

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More than sport in May

Today I bring an example of excellence, an example of progress and persistence. Of those that sport sometimes helps to see, and others, most, like this are not much, but it does not matter, because the biggest winners are those who live from the inside, this is not something that can be enjoyed passively, must be experienced to appreciate. And who has lived out many more benefits.

The story begins with the creation of a team to a minority sport (Hockey) with almost no knowledge, with a very uncertain future, how that team grow, mature, work and struggle. And eventually get the win, but most is what is in each of the members of this team.

From here my CONGRATULATIONS. And see if we note, and they serve as an example.

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Tips for buying your dancing shoes

In sport, in all its forms, athletes have always used appropriate footwear for each sport. In the dance same thing happens, not every shoe there will provide the same comfort, support, balance and comfort, whether in day to day and it is important shoes to avoid injury and unnecessary pain, even more so in the shoes that we use to dance.
MEASURE YOUR FEET
There are several types of feet and not all shoes fit all feet, which is why many girls have real problems finding shoes. FOOT LONG
is the measure that is in the final straight line from heel to the end of your longest toe, which does not always correspond to the big toe. This measure is standardized and the measures taken worldwide, there are conversion tables to other measures under each one of the countries there is a global one in centimeters and inches. FOOT WIDE
is the contour of the foot, it takes around the metatarsals of the foot where the toes begin. Standard sizes usually 1 or 2 inches shorter than the length of the foot. One of the biggest problems finding shoes is when the girl has a contour too wide or narrow for the length of your foot.
FORM OF FINGERS
There are three types of tiptoe for 2 types of toe shoes:
1 The index finger is longer than the others Leaving an arrowhead shape.
2 The big toe is longer than the others. Leaving a straight diagonal between the pinky finger to the fat.
3 º All fingers measure the same, leaving a straight. SHOE PARTIES

Sole, is the shoe that makes friction with the ground can be: Chrome (suede), plastic, leather. Template
is the shoe that contacts the foot is a very important part of the shoe , being in contact with the foot is important as natural leather, part of the tip is always back skin, to hold the foot and not slip.
Under Templates have 2 types of points, the round for foot types l and 2 and the square end for the type 3.
padding is the part of footwear that provides comfort for the feet and also isolates the impact with the ground and prevents the loading of the forefoot metatarsal bones. In quality shoes padding is usually made of latex and foam not like cheap shoes. Palmilla
are two layers covering the iron cambrillonero and together form the structure of the shoe that give rigidity to the heel does not go back, ultimately is the main subject of the heel, therefore, must be resistant to the rear, flexible and soft on the front. Court
exterior is the outside of the shoe that gives shape, style and design the shoe is the part that molds to the foot, a good cut will depend on the comfort and utility outside of the shoe.
lining the inside of the outer court and usually return to or skin to prevent chafing caused by synthetic shoes.
The buttress is most important for the stability of a dancer, is the part that holds the heel and ankle protection, it is very important to be very rigid and hard. Heel
ranging from 4 cm for girls up high heels 12 cm (widely used in tango), the sauce is standard 5 to 7 cm.
ankle strap is the part of calzodo that prevents the foot from moving inside the shoe.
things or take into account before choosing shoes:
OUTER COURT (DESIGN) take into account measures the feet of each girl to choose one design or another, a girl with a very small little finger will always be strip problems with shoes. HEEL
To avoid sore feet and we feel comfortable, it is important to note, the usual (usual footwear), physique, back problems and the height of the girl to choose a shoe and another a girl who never wears heels is usually advisable to choose to dance a heeled shoe.
ANKLE STRAP Keep in mind how you want to feel attached to the shoe to choose the subject that makes you feel more comfortable.

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ARGENTINE TANGO INTENSIVE
every Sunday in the Rotunda at 6:45 p.m. with Fernando and Veronica.
The Tango is not a single basic step, we will learn in each class, different movements may combine with each other, making endless choreography, based around the "hug."
Guys, we remain even some girls, to encourage you to come!
See you Sunday!
+ info: 617352309 or www.veronicamassini.com

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Tamburello

The Culture Week l of this year, 2010, we will see a new and relatively unknown sport. Although in 2009 we presented at the Institute.
is a sport that comes from Italy and France, and practiced with a "shovel"-like drum called tamburello o. is a game similar, by far, the tennis, but played 5 vs. 5 in a very long and narrow area 80 x 20 m. Although we will adapt and play in an indoor football field.

is fast, spectacular shots and team play.

Hope you like it. Here

leave some " notes" that you know him, also some links where you can see and know more about this sport minority. The Tamburello




Federazione Italiana Palla Tamburello
Fédération Française de Jeu de Balle au Tambourin
Japan Tamburello There

a television broadcast where the major parties.
You can view it (made for Internet Explorer 6.0 or higher) on the following link. Tamburello
Tv.

Here is a journal of the European Cup Indoor Tamburello 2009 (under cover), which took place in Oristano, Sardinia, and that representing Spain was the team of Granada, you can see pictures of the game.
This year, the Granada team has gone to Paris and have been third.

issuu Open magazine

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lyrics: "If you had not gone," Tito Nieves



I miss you more than ever and I do not know what to do I wake and I hope I remember correctly another day dawn to live without you, the mirror does not lie to me I see it differently and need you People spend and
as always happens to match the pace of life seems wrong to me was so different when you were here Yes it was different when you were
There is nothing more difficult than living without you suffering in hopes of seeing you get the cold from my body asks for you I do not know where you are If you had been would be so happy (chorus Bis)
People spend and spend as long as the pace of life seems wrong to me was so different when you were rea Yes
different when you were not There is nothing more difficult than living without you suffering in hopes of seeing you get the cold from my body asks for you and do not know where you are If you had been would be so happy
If you had not gone Yeah
no If you had not gone I would be the happiest man if not where have you by my side and not let you go If you had not gone If you had not gone Otherwise if you were married, not a nice home with many boys Originally posted 14/07/2008 10:23:19
.

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Football and Futsal

s Hi everyone,

There are as many or more versions of a story and characters have witnessed this fact, each person's perceptions are completely different, as is his way of expressing them.

not deny that some of these forms of "understand football" is and will be an important part of the sport: There
smaller rival. Football is football (Di Stefano)
In football you have to win, win, win and win again and win and win ... (Luis Aragones)
There is only one possibility, or win or lose, or draw (Beckenbauer)
The best way to improve your team is to improve the same (John Wooden)

what you think of these ideas?



Here are notes from football, I have condensed as possible, by so read them carefully and thinking about what you read. Soccer Notes

4 º ESO






Here is the work of this quarter, work on football. Delivery Date
Friday April 16, 2010 . In
and manuscript paper.

If you need something you know that I can ask in class or in the mail ( efprofesor@gmail.com ).

Here you all about the work: Football

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More than sport in March

Hey guys, although we have seen the Acrosport, which was related to the circus activities, today we will see an example of what can be physical activity than we can teach and what we can not be taught.
is a video to watch it several times, and a moral to have it ever present in our lives.
can "see" many things or no it depends on you.






What you see you?

Clean Warm Up Songs Basketball

Anatomy

You know Who are you? Did you know?

Know, accept, supérate. San Augustine

(354-439) Bishop and philosopher.





Here are the notes of the Musculoskeletal System, which come into consideration. Bones and muscles







And here a link to the you see almost all the muscles, for consultation.
Front View Rear View


Who does not like to study, here is a video and several activities




Activities:

Bones Bones 2

Muscles Muscles 2

simple and very understandable Animation

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V oleibol

Hi here you have two appetizers of what will be this quarter, be reviewing the theory then many things.

One "official" a very funny friend named Bernie.


And another not so official but done with enthusiasm.
Do not fall! Click to view



And another! For those who do not like studying and " see" any clearer. Some people are at Curra, and we must give them credit and admire their work, while we review the theory, so enjoyable. Chart
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Alternative Work the excursion

s Hi everyone, all that @ s that for one reason or another miss a pleasant day spent learning, among other things, new ways of healthy leisure, you have to do this work, is mandatory for those who do not come.
No excuses. Delivery Date

Friday February 25, 2010 . In
paper.

If you need something you know that I can ask in class or in the mail ( efprofesor@gmail.com ).

Here I leave everything on the job: Working

2009 2010 excursion not


Here are some links to help you in your search
S leketon

Bobsleigh Luge
Bodyboard Surf

Skateboarding Skating

Vancouver Vancouver 2010